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Emotional communication, The Great Resignation, and Portuguese small brands

3/12/2022

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\      Hi you! My name is Catarina Archer, I’m a Graphic and Media Design student!
    One year ago, before actually starting my DPS year, with all the internship applications, interviews and enriching talks, I thought of the SIP as something I would only do if I was not lucky enough to enter a company or get an internship. Little did I know I was already planning my SIP, just thinking of it with a different name!
    A very common thing back in my country, is for people to have a small brand as a hobby/part-time job; I grew up with this concept of having your principal corporate job that would pay the bills at the end of the month, and a parallel brand/hobby for which people work for mostly on weekends, for example in small indoor markets and fairs. 
     
​Caravan was born from a mother who had a really big daughter (both in height and weight) and always struggled to find proper child/pre-teenager clothing: All of the children models and collections would never have the sizes for me; and all of the bigger size clothing would come as teenager/women items, that did not make sense to dress a 11 year old with. I’m talking about my mother and I some years ago! While a whole lot of these market’s small brand where either directed to women or to children, like every other clothing brand, Caravan would come as the first pre-teenager directed brand - clothing pieces that would be ok for mother’s to dress their daughters with, that would fit bigger and smaller girls, as well as exciting different style clothing that the girls would also like to wear. It grew up from year to year, since 2013 until last year, when my mother’s partner chose to leave the brand, the event that led my mother and I to decide this was the time to rethink and rebrand Caravan, for what I offered to do right away.
    Only after some talks and discussing my year out in industry I realized I already had my self initiated project right in front of me, as well as the New agency that had been there since the beginning without me realizing it! As a “designer in progress” as well as so many others like me, the most common thing is to work as a freelancer for friends and family and develop small projects; This way, I caught myself with 3 possible SIP proposals, as beyond the caravan rebranding, I have also been developing the same type of work for two other projects; This made me realize how this type of work is so present in a design student’s/practitioner’s life, yet so forgotten and put aside until it is actually the main source of income.
    Caravan being my chosen project for my SIP, comes only as a consequence of it being something so personal to me; Even as a kid, I was there from the whole growing process of the brand, being gradually involved in it as I grew up, and always helping with what I could. The fact that the “subject” I am working for is so close to me, and the fact that I still needed to get to know a lot about it, in order to achieve what I wanted for this rebranding, only made it clear how much of a connection I look forward to in every work I do;
    Design should make things simple and communicate a clear message, something that I was only able to see I needed after reflecting on this project. Comparing it to the other work I developed during my DPS year until now, it’s clear how everything’s much less personal when developed for a company or a big brand, something I would only be able to experience through a SIP, letting me uncover a whole specific way of working and developing projects.
    Other thing I was able to experience with my SIP was the way I wasn’t kept anywhere because of it; The world is not what it was two years ago and, as much as most people would love to, it is not going back to what it was before. After experiencing home office/school, a lot of people take that as a priority when choosing a place to work/ choosing to stay or not in their company. This has become so frequent on the last year that is now a named phenomenon: The Great Resignation (H. Sachs, 2021) which only shows how important these factors are to the new working generation.
​    Considering the year coming towards me, being my thesis theme so related to the course I’m taking, the emotional connection and non-connection to the projects will help me as a “self case study” in which I can compare how it affects my practice and the communication practitioners in general. With this, it only makes is more obvious how a SIP is something we would never actually think about, unless it is put right in front of us, making the whole difference on our perspective. :)
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Stylista Summer Market scource : https://magg.sapo.pt/critica/artigos/fomos-ao-summer-market-stylista-como-foi-visitar-um-mercado-em-tempos-de-pandemia
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The Great Resignation scource: https://www.weforum.org/agenda/2022/01/the-great-resignation-in-numbers-record/
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What can we do as designers for a more sustainable and responsible practice? Work for it.

5/6/2021

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PictureScreen Shot of the exhibition's website. You can find it here: https://www.typopassage.com/the-tolerance-traveling-poster-show-c17.html?p=11
Gabriela Grozavu
 
During my current work placement at a design studio in Romania called Synopsis, I still remember one of the first discussion with my boss  who have been in the design world for over 20 years.

I asked him if he ever wanted to influence people in certain directions, besides coming to a cultural event or concert. He said that his purpose and goal, most of all is to be a better designer. From every commission, to do a better work than before. “Design has the power to change and because of that it hold a lot of responsibility. Bad design can mess up things as well!” And having this is mind, of course he’s not going to accept a job from a Fast-Food chain, or to make a poster that encourages people to smoke. He wants his design to attract people, yes, but to things that he considers important and beneficial. This is why his niche is culture and music, also organizing graphic-design exhibitions about Tolerance and education.

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​I thought about that in relation to Climate Emergency, and “okay okay, we learn about that book opening or the importance of typography, but what about telling people what to do?” I got a bit stressed and starting to say quite automatically the questions I usually have in my mind: “We are in a crisis, we have to do something about the way we work, we consume resources, we manage businesses. What to do? “ Then, very calmly, he said something like: “ Do the thing you like the most, and do it the best you can. If you believe in something, then do it right. Don’t just do a poster in one day, panicked and in a rush, because even if the message and its purpose serves good, it’s not gonna have any impact. Shortly, work on it, and work hard.”  

We talked about how there are activists who go outside with banners designed by then and push the government to stop exploiting the earth for its own benefit. And they play such a crucial role in a There are people like Banksy who are not that vocal or obvious, but his work and subtle messages make people have the “aha” moment, about their action and how bad things are happening around us without us realizing. There are different types of designers and design agencies who fight(or don’t) in their own way, and the ones who really succeed are the ones who really put a lot of work and dedication and passion in it. As we have a now a lot of examples of greenwashing brands and designers who do “environmental awareness” campaigns only for the profit; an informed eye can see who is really doing it for the sake of earth and wellness. This is the role that good design plays: sometimes you can spot the liars and make some noise about it.




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Banksy art piece near the Oval bridge in Camden, north London. Photograph: Zak Hussein/PA

 An example I have in mind is Yvon Chouinard, the founder of Patagonia clothing who stared this brand with his love and care for the environment, saying how hard it is to protect it when you also have to make profit. Initially starting a business with Mountain Climbing Gear, then he developed the brand Esprit which wasn’t the most environmentally friendly. Realizing the harm he is causing, and now having the financial resources and experience, he started Patagonia. A totally different concept of clothing business and branding, using second hand and durable materials, encouraging people to repair their clothes instead of buying new ones and making it for the love of nature. He offered a business model and succeeded in it, for other companies to follow.


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Don’t buy this jacket poster, source: www.thenetworkforgood.org

When it comes to individual designers, we really need to think and choose wisely who to work for or with. As the Crypto-art and this digital currency is increasingly popular we need to do our research and ask ourselves some questions before jumping in though all the new commercial platforms handed to us by “Silicon Valley-style move-fast-break-things accelerationism” (Atken M. 2020)  see how much this seemingly undisruptive way of selling your art is energy consuming and ecologically unreasonable and  choose not to use it. I understand how difficult is to do what you love and earn a living but we need to choose wisely and find ways (or if we can’t, to create new ones) to be able to hold ourselves responsible for our acts.

I remember how hasty I was when looking for a job, applying first to the studios I admire for their work ethos and emphasizing this in my cover letter, like “I want help making this world, at least a bit better and influence people to make more conscious choices, as you do” but seeing that I don’t receive any feedback or reply, I started to apply to jobs that didn’t have the same set of values, but I really needed the money and experience. And now I am asking myself, really, did I? I lucky to be in my home country and not worry that much about the monetary side, so I am taking advantage of this time in order to do become a better illustrator and designer so I can choose to work where I feel it’s doing something good for the planet. Or this is my goal at least.

As I am now working in this studio, currently unpaid, but understanding that this time is for learning. And honestly I don’t feel like I can help that much as they have their projects going on already and don’t exploit me in a way of doing what’s needed(like bureaucracy) just giving me the opportunity to see how they work, how they talk to clients, how they decide if they want to do a project or not, if it’s worthy to invest time and energy in a project where they don’t feel connected to it. They offer me advice when I need, and let me work on the projects I love. It feels reassuring seeing that they can say no in a very diplomatic way and choose to focus on the studio projects, like making open-air exhibitions around the world, to influence people to make better choices, to see the beauty, pragmatism and the role the design plays in making the world a bit better, when it is done right.


I will conclude with a quote from my favourite artist and designer, Agnes Denes: 
We live in an age of complexity, when knowledge and ideas are presented faster than can be assimilated, while disciplines are becoming progressively alienated from each other through specialization. The hard-won knowledge accumulates undigested, blocking meaningful communication. Clearly defined direction for humanity is lacking. The turn of the century and the next millennium will usher in a troubled environment and a troubled psycheÖ Making art today is synonymous with assuming responsibility for our fellow human beings."

​After having those conversations and reflection upon my work and career, I feel like a solution for me to be a responsible designer is to be the best I can in this domain and use the knowledge and abilities acquired to work in a team with similar goals and ethos and together to promote this business model, where we use our superpowers for good.

 
Sources:

http://www.agnesdenesstudio.com/writings.html

https://flash---art.com/2021/02/episode-v-towards-a-new-ecology-of-crypto-art/
https://memoakten.medium.com/the-unreasonable-ecological-cost-of-cryptoart-2221d3eb2053
https://www.patagonia.com/product/the-responsible-company-what-weve-learned-from-patagonias-first-forty-years-paperback-book/BK233.html
 
 
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New Agency: Keep calm and carry hustling

12/11/2020

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A photo after finishing a 21m mural with the artist Adriana Jarros for the London Mural Festival 2020
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My first Everpress campaign :)
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Linocuts with my cat, Mani Jones
PictureA test I did in Instagram asking people which colours and designs they would prefer. Made with spray paint, my home printer and reusing the paper of photo backgrounds
I think we could all agree that 2020 is being a though one. Beyond the pshycological effects that this global pandemic could have, there is also the economical side that is making companies, studios and small business struggle.
So to add to the emails you sent and you never hear back, we need to add the ones that say they are not hiring because of Covid.
When I started sending emails, those responding anything were already making my day.
Once we finished uni and I handed in after all the struggle, I started to make my portfolio straight away, thinking that If I was starting “early”, I would have more chances to start something in September. Now, looking back, I kind of regret I didn’t have any break and I jumped into this DPS year. But at the same time, looking back , I didn’t think coming back to Spain for summer holidays was a great or responsible idea and I was locked in the flat I live almost by myself without not much purpouse.
That’s why,  I jumped into my first placement at SIRPLUS in August 2020. At the beginning, I felt pretty excited just to have something to do or some kind of schedule or structure but quite quickly I realise what in a way I knew when I applied: that I am not interested in Digital Marketing and that If I do it, I will want to get properly, not doing an intern.
Until the end of June 2020, I was working in Soho in the commercial department of Westminster Kingsway College, called 01zero-one.
There, I was taking pictures of the spaces we were renting commercially (event space, green tv studio, roof space, mac room, meeting rooms and hot desks for freelancers) and also of the events that there were happening there. I was also in charge to update their Wordpress website, social media platforms, creating newsletters in Mailchimp and even, running a free screening event once per month with short films that our clients were producing.
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In SIRPLUS, I was doing pretty similar tasks but getting pay much lower than London Living Wage. Basically in the studio I was resizing pictures of rooms to fit Instagram guidelines and in SIRPLUS I was resizing pictures of jumpers for the same purposes.
The good thing I am taking from that experience with SIRPLUS is that one day, realising of all what I mentioned above, and after having few chats with my supervisor and after few successful photoshoots , I wrote a proposal offering myself steeping out of the graphic design intern to become a freelance Social Media Content creator for them.
The way I saw that situation was a winning- winning: I didn’t want to carry on doing that intern because I felt I learnt everything that I could have so I offer a solution to something I was more into (like is photography and videography) being concious that If they were not taking it, I will find another placement anyway plus also, by just doing content creator in freelance basis, I could combine it with other experiences that I could enjoy more.
After meetings with the brand owner, they said yes, so we agreed two weeks notice, they find other intern and the idea was to plan some themed photoshoots soon.
After I left, I had the chance of contacting more people from the list I created, apply to other positions, etc. Regardless If the applications were unsuccessful or not, it was great to invest some time in sending them as it’s something that I don’t enjoy that much.
After SIRPLUS, I had the chance of working in Bloomsbury Festival as Digital Intern for around two weeks. It was long hours but it was also pretty well paid, and even that today I am still wondering which was my role in that festival (they had lots of volunteers who were doing the same tasks than me), it was great earning that extra bit of money as that allowed me to buy some equipment like an A2 printer, a couple of screens for screen printing, a guillotine, equipment to do lino prints at home, etc.
Sometimes you have to put in a balance what you are getting out of that experience. Sometimes is knowledge, skills or contacts. Another times is just money. But that money can help you to keep building and progressing other things you want to make.
While I was doing that festival job, I have the chance of applying for an archivist position with Alan Kitching which is what I am currently doing.
It’s not a design job and I can tell you that sometimes is hard as I have to move huge boxes full of prints. Sometimes it’s also the feeling of I am never going to get it sorted as I am doing two days per week and I am going through the 60 years career of an artist and also sometimes, dealing with someone that it’s almost 80 is also a  bit challenging.
But, in the positive side, I feel that it’s a job that is informing my own practice as what I am interested is all what it’s related to typography and the power of words.
I also can focus in developing my own stuff and not applying and sending emails all the time. So at the moment, and If things don’t change, I am going to carry on with this until the end of the DPS year.
Being honest, I realise that I have been pushing the idea of making my own things because I find it scary.
Every time I am designing something, so many questions pop in (which size should I do my prints?, only black and white? How can I include y interest in sustainability in printing?)
I find it stressful to show my things to the world as it feels like everybody has their own style, their own thing and I am interested in lots of different things at the same time.
But this year is the time to do that, regardlesss the global pandemic. It’s the time for experimenting, for pushing boundaries, for taking “safe risks”.
 PD: SIRPLUS never contacted me again for any photoshoot and now they are having a just graduate from UAL taking their photos and being paid probably more that what I was getting. But being honest, I don’t care. I am happy with what I am currently doing and they also have a friend of mine who is happy doing graphic design so, happy days.

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One of the latest stencils I did using my home printer and reusing this ugly Ikea poster
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Alan Kitching's house
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NEW PURPOSE: Keep calm and carry on

12/11/2020

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My new purpose it’s not really new. It’s something I have always wanted to do and now, finally, I have some time and resources to do it.
My purpose at the moment is combine my DPS placement hours with time to develop my own products.
In a way, I am trying to sum up all together: the course commitment of 24 weeks of industry practice by working as archivist for Alan Kitching wich role, regardless is not a designer position, is helping me to get inspired and get ideas for my own prints.
At the same time, by making those products, I will try to apply to NJAS briefing.

Sonia Vico
https://www.instagram.com/_soniavico
hello.soniavico@gmail.com
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