I started this term as being completely uncertain about my future. Several questions were starting to pop into my head and I couldn’t find any answers to them. Am I gonna find an internship ? Will I be able to come back to London ? Will my internship be remote or onsite ? How am I gonna be able to share and learn from others if I am stuck at home in my home country ? I am ready to face reality in London on my own again ? After a lot of thinking, evaluating the pros and cons, I took a train to London and started to actively look for an internship. I was ready to face rejection, to struggle, to be criticised and to be patient enough to find a job. However, what I wasn't ready for was facing rejection mostly because of covid. Couldn’t help thinking that I could've had a change to go further with some of my applications in a normal world. From those rejections I thought it was time for me to adapt myself to the current situation. What if studios couldn't hire me at all because of the pandemic ? What if finding an internship became impossible ? I couldn't just stay there waiting and hoping for something so uncertain. So, I decided to work on something concrete, something that just depends on me and on my motivation. Something that doesn't respond to an email by “we are sorry but due to the pandemic we aren't looking for any interns anymore”. This is how my ambition of building my own online printing shop became more concrete. Printing means doing something physical and bringing to life something that was originally designed as a digital outcome. And this what I love the most about being a graphic designer. I was happily surprised to realise that LCC proposed a brief that was perfectly related to my personal project. The “Not Just a Shop” live brief is a project about selling creations in the shop run by the university. What I want to create for myself and for the shop will be a lot of different things that all make sense and go well together. I would like to work on different themes based on what inspires me as a graphic designer and about what I believe in. The other solution I found to adapt myself and to make the most of my dps year is to experiment with freelance. I think it is a good way to improve my skills and to learn to adapt to the customers and to different styles.
After all of these ideas that could help me planning my future a bit more, I finally found an internship. I am learning the art of adaptation through it as well as I am working remotely. I am in charge of the social media’s visual communication, some graphic and design work including illustration and moving images. Working from home is quite challenging. I would say working remotely has pros and cons. One good thing about it is that it forces me to stay very organised. I don't have to follow any precise schedule or to be at work from 10h30 to 18h, but I have to get my tasks done by the end of each day. The negative thing about staying at home is that it could make me quite depressed. I am living in a very small room in halls and I don't think it is the best environment for me to stay focused 7 hours a day. I would like to use this year to do as much things as possible to have a better idea of where I want to see myself in a few years, or just after graduating from LCC. I would say my dream job would be to have an online printing shop to still be able to create and to design things in my own style. It is really important for me to be able to express myself in my work and to enjoy it fully. In parallel to this, I would love to be able to work for people as a freelancer maybe. I love the mix of having something very personal that resemble me and to be able to adapt myself to customers. - Fantine Dubreuil, GMD
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Due to COVID-19 the future seem unpredictable. Social gatherings, and travel which used to be a part of everyones lifestyle aren't possible anymore. In fact, community culture and social interactions are restricted to the minimum to overwhelm the virus. People struggle with the new restrictions. The sentence "once everything is normal again…" is used often showing that society is waiting desperately "for the crises to be over" and their lifestyles to go back to how they were before. I believe this is the wrong mindset as the virus affects lifestyles to change forever. Coronavirus might be treated at some point, but what about any other potential future viruses? It is the time to look forward and find ways to improve our situation without thinking about how it was before. Anne Nestler
BA (Hons) Graphic and Media Design @annes_graphics I’ve gotten to know rejection quite well recently. At first, I didn’t really like her but now we’re inseparable. Before the start of this term I wasn’t sure if I wanted to come back to DPS, my degree or even university. This meltdown stemmed from my Erasmus exchange programme to Berlin being cancelled because of Covid. I desperately wanted my head to convince me to not do what my heart wants. I went round and round in circles until I ended up right where I started. I realised I just have to pick something and go with it, instead of mulling over all my choices. So here I am. I had a disastrous experience with my first virtual interview and assessment for a DPS placement. I applied for a position where it was a creative training and placement with an agency that I admired. I submitted a written essay and was invited to the virtual assessment day where there would be a group task in the morning and a one to one interview in the afternoon I felt confident and believed I had a chance. That morning, my Wi-Fi crashed, causing me to miss the group task and ruining my chances of getting the position. I still attended interview and at the end asked if I could show them a presentation of a group project I had done, to make up for missing the group task. They were impressed with my work and my ability to think proactively and bring something extra to the interview. I scored highly in the interview and in my written essay, but without the group task it was not enough. They did recommend for me to apply to another placement they will run in January 2021, which I am hopeful for. At first, I was pretty upset, but I strongly believe that everything happens for a reason, even if I don’t understand that reason just yet. Failure. Rejection. Fear. These words have negative connotations, and we are conditioned to think they are nothing but trouble. I have learnt to look at rejection through a more positive lens and it has helped me grow immensely. I now understand that I will never succeed more than I fail (I think Steve Harvey said that). Also, I have learnt to think of rejection as redirection (Ibz Mo taught me that one, video link below). I turned this lesson into the poster below, I am thinking about designing a poster every day, to visualise what I learn throughout DPS. As scary as uncertainty is, I hope to learn and grow as much as I can as a designer during this new period of time. Every time I present something in a virtual meeting, I can feel myself chipping away at the imposter syndrome. This is something I have learned that almost everyone deals with and it’s not just me. This idea of a global reset is fascinating because everyone is learning about themselves at a pace and in a way that we have never experienced. Even though we are isolated, there is comfort in knowing we are all experiencing similar things. I virtually attended some of the Adobe Max conferences and presentations including Portfolios 101: What Every Job Hunter Needs to Know with designers Nick Longo & Andrew Hochradel. Andrew spoke about the dilemma of jobs requiring experience and students not having enough experience to get the jobs they need for experience. It really stuck with me and opened my eyes to how to get around this especially during this time so I transcribed that section and hope it can help others, I will also provide a link to the livestream. ~ 45:00 “If they want three years of experience have a portfolio that’s so good they’re like “oh my gosh, they’re so good they’ve been doing this for like 20 years”, and you’re like nope I just started last year I just worked really hard on it. You can convince people and that’s the thing. Manage people’s perception; the way that they perceive you is their reality so if it looks like and they perceive you as if you have been working in the industry for five years and you’ve only been there for two, good on you, to them you’ve been there for five years. You just have to have the work to show. I think the time is arbitrary; it’s a way for a lot of non-creatives, a lot of times, to mitigate the idea of like “that’s their bench mark like time means experience” but, if you show the experience you don’t need the time.” - Andrew Hochradel Hard work shows. Every time. Humiraa Firdaws BA Illustration & Visual Media - @whatihadinmind h.firdaws0720181@arts.ac.uk Portfolios 101: What Every Job Hunter Needs to Know with designers Nick Longo & Andrew Hochradel https://view.streamgo.live/Adobe-career-bootcamp/events/1 Rejection is redirection – Ibz Mo https://www.youtube.com/watch?v=l3W6TWwPrS8 Notes on Purpose.The definition of purpose is 'The reason for which something exists'. So, the question 'What is my purpose?' is actually asking, 'Why am I here?'. So, what am I? A human being. I am not an angel or a robot, but, a human being; meaning, I am inherently flawed. Therefore my purpose is to make mistakes, fail, learn, and try again. My purpose is to be better than I was yesterday.
Looking back before the pandemic, November 2020 looked so different from what I have imagined it would be. Planning my DPS in January 2020, I most likely hoped I’ll get an internship somewhere in Europe by now. And throughout this exciting year, I’ll be travelling around the world, making most of that time. But in March 2020 everything changed. When September came, my situation looked pretty much like that:
And I had my fingers burned so badly, as I was pretty sure I have time and I’ll easily find an internship. If not abroad, at least in my home country – Poland. I was pretty lost and depressed, not having any plans or something to look forward to. But it is what it is, and I’m sure I’m not the only one being in that situation. I had to lower my expectations and use the resources I had. I moved out from my parents, applied to the places I’ve never even considered before, and used my network to ask about every possible opportunity. Hate this expression, but I actually “stepped out of my comfort zone”. When I think about it now, it was a valuable lesson and something I’ll remember about this crazy year. Never take anything for granted. And if the world changes – don’t fight with it, try to adapt. Among all of this mess that is happening right now, there is something pretty exciting about what comes along with it. I think we started to notice the beginning of a new era, and maybe we saw it only thanks to that tragic pandemic happening at this moment? Maybe we needed a strong trigger to open our eyes and see what’s important? Too bad it required such drastic measures. But there is hope, a new agency among all of this. This NEW AGENCY we see coming is so dynamic, spontaneous, and up for anything. It’s very exciting to be in that “first wave” of the generation that has to cope with the new reality. On the other hand, it brings much anxiety and challenges. I was thinking about it very intensively since I flew to Poland in March. I was to spend much time with my family again – different generation, with a different mentality, challenges, and expectations. When they were my age, of course, there were fewer opportunities. They didn’t have much freedom as I have now. Studying abroad which brought me so great opportunities and experience – they could only dream about. Not to mention life-changing technology. However, I couldn’t help but think that their future was more certain. For my mum, it was obvious that she finishes school, gets a degree, gets a job, starts a family, etc. I don’t feel my generation has such certainty, at least not anymore. I have recently started to realize things I never thought would be my generation’s concern. Most importantly, climate change. Something my mum or dad never even thought about while building their future. And something that now threatens mine. I realized it even more after seeing David Attenborough’s new film Life On Our Planet. It’s devasted me how badly we treat our planet. And we saw it even clearer during the pandemic, when the whole world stopped for the moment, nature spoke. And how can someone conscious about that still focus on their career and future? I know it’s very depressing to think that way. But it can be motivating too. Let’s look at the recent and still ongoing pandemic. It showed how quickly we adapt and change our expectation, way of working, even jobs. It’s amazing how we adapted throughout those couple of months. Remote working, ordering groceries online, Netflix parties. People can be so creative nowadays, and it’s even more encouraging when they use this creativity for a good cause. In my opinion, it should be a great motivation and hope for humanity. “when there is a need, there is a way” The world is changing, and we can’t deny it. We can only embrace this change and make it for the better. I think this is what comes from this global reset. People finally start to realize the hierarchy, they see the impact of their actions and start to fight for their future. As recently in Poland, when people finally found the courage and take to the streets fighting for their liberty and right to decide for their own. It might sound cliché, but from what I observe, I believe it’s revolution time. The new generation finally spoke up and will begin to shape a new future. As for me, the last couple of months taught me to embrace uncertainty. I'm that kind of person who likes to know what’s next, I like to plan my future - otherwise, I get easily stressed out. However, the current situation made me more open for the opportunities and taught me to use what’s available. Of course, you have to aim high. But you also have to be humble and wait for the opportunity to come. And if it comes, make the best of it. Keeping that in mind, I started a small collaboration with a Polish graphic designer based in Cracow. It doesn’t take much time and I don’t always feel like I learn a lot, but I stay patient. At the same time, I’m doing live projects briefed by the DPS team. I’m planning to design a product for Not Just a Shop before the end of that year. And finally, I have something to look forward to, as I have recently got an internship at Amsterdam-based graphic design studio starting in January 2021! Kaja Moll
Graphic and Media Design @kayamollart ‘What new agency comes from a complete global reset?’ The new normal. It’s a defining phrase that seems to sit on the lips of every politician in the guise of distorted comradery, and ricochets around each of our living rooms as the 6pm news rolls in. It is the signal of a global shift, a signal that we are indeed living in circumstances beyond previous comprehension. As we wade on through the blurry ambiguity that is 2020, it’s becoming more apparent that what once felt like a hypothetical concept, the new normal is now very much rooted in our sense of reality. It is rare that we are given the opportunity to foresee and articulate a new way of living. This in itself is an agency granted to us in the wake of what feels like complete chaos. In our acceptance and approach towards this global reset, our agency on both an individual and broader cultural level has expanded. Aligning this agency with purpose and intent, it becomes a directive tool for us to foster growth and acclimatise to a world very much turned upside down. Redefining normality means assessing the space in which we work and have impact, and this space is expanding. In comparing our pre- and post-Covid world, I think one of the most notable differences is the way in which we view and interact with time. As a concept, time is often what drives us. It motivates us, informs our actions and, in turn, our agency. It is with this, however, that time can often feel quite imposing. As the world resets itself and the new normal finds its feet, I’ve found my relationship with time has changed, and I’m discovering new agency over my work and routines. Moving forward into a world where traditional structure is breaking down, our individual agency is allowed more room to be nurtured. In a period of work-from-home zoom calling, home schooling and banana-bread making, we have newfound agency over time, and are less inclined to accept the routines that once were. In the ambiguous new normal, time is something we have control over. It has a newfound flexibility, and the ownership I have over my own path has never felt more apparent. For me, the idea of agency is closely tied with the concepts of power and purpose. During a period of such intense social, economic and cultural disruption, this idea has never felt more elevated. As designers, we are naturally reactive. We are often catalysts for change and are at the forefront of future-thinking. Our work is significant as a result of its ability to influence, communicate and resonate. I’ve found that my own approach to work has shifted in recent months. I am more acutely aware of my relationship with an audience and the ways in which I am able to reflect on and adapt to the ever-changing global situation around me. This is reflected in the wider creative industry, the resilience of which, in adapting to the new normal, has been empowering. With such a dramatic shift in social norms and our overall awareness of the global stage, there has been a definite drive to position ethics and philosophy at the forefront of design. I feel our agency as creatives is now, more closely than ever, aligned with the political and social spheres and thus our influence radiates further. The new normal has opened further the opportunities for our communications and commentary. A great example of this being optimised is Design Emergency, where Paola Antonelli and Alice Rawsthorn have collated the response of the design community to crises such as Covid-19. Their Instagram platform sparks real discussion surrounding the agency of the designer as a force for possibility. In the light of new crises, the agency of the designer can ultimately serve to challenge social infrastructure and antiquated systems, navigating and directing the new normal. Earlier on in the year, as the UK came out of its first lockdown, Design Emergency spoke with Es Devlin in an interview that encapsulates this idea of new agency and design reform. Devlin is a theatre designer whose work prior to the pandemic was articulated in the form of mass gatherings and audience engagement in physical spaces. With our current social interactions limited by ‘hands, face, space’, Design Emergency questions the nature of collective experience in the new normal and outlines the ways in which designers are informing and projecting the future of live events. “It is our role to try and imagine a way forward.” Es Devlin, 2020. What I found particularly inspiring in Devlin’s interview is the way in which she uses her creative agency to suggest diverting human connection to the digital space whilst also retaining the emotional connections humans are inherently dependent upon. There is a responsibility there, not only in terms of curbing transmission through limiting physical interactions, but also in terms of reigniting the emotional engagement lost through new restrictions. I think ultimately, when considering this idea of new agency and the new normal, the two appear to go hand in hand. As I personally reflect and consider on my own creative practice, I understand that my agency is growing beyond traditional limitations. I no longer feel tied to the aim of getting a stream of internships but am learning to balance my outlook with a greater variety of professional practice. The way in which I continue to craft and manoeuvre through my DPS year is far from the structured proposal I outlined months ago. Instead, I am assured by the freedom and new agency that can be found in these uncertain times. My perspective is continually expanding, and I am seeing possibilities that I otherwise wouldn’t have sought or even acknowledged. Megan Wear BA Graphic Branding and Identity - @meganweardesign meganemilywear@gmail.com References: Alagiah, M. (2020) Fine Acts: Global Art Campaign. Available at: https://www.itsnicethat.com/news/fine-acts-spring-of-hope-campaign-art-illustration-010520 (Accessed: 11 November 2020). Antonelli, P and Rawsthorn A. (2020) 'Design Emergency' [Instagram]. 4 May. Available at: https://www.instagram.com/p/B_xdSPGDoD8/ (Accessed: 11 November 2020). Devlin, S. (2020) BBC – Culture in Quarantine. Available at: https://esdevlin.com/work/bbc-culture-in-quarantine-masterclass (Accessed: 11 November 2020). Starting the DPS year still in the midst of a pandemic, I was still very confused and unsure of the year ahead of me. Having been through lockdown and trying to return to a somewhat normal work schedule and adapting to this new way of life hasn’t been easy for anyone. Especially during these times, taking control of your own time management can be so difficult, when it feels like nothing is certain and everything is up in the air. During this time to help give me some purpose I finished designing my portfolio and cv and started sending it off to internships and employer. During the beginning, it was very daunting to begin with especially since the whole world is adapting to working through purely online means. As well as the looming fear of another lockdown over the horizon, keeps people on edge and sceptical of ever returning to a new sense of normality. I have sent my details and portfolio to a variety of employers working in different creative disciplinaries around London. After not hearing back from anyone it can be hard to carry on, especially when you see no hope after receiving lots of rejections. From this I decided to start an independent project based around the theme of Render a Day; a project design by Mike Winkleman, also best known by his Instagram handle @Beeple. This project is based on using 3D modelling and animating software, and the objective is to use the 3D modelling software to create and learn, to help expand my knowledge and increase my confidence with using modelling software. This SIP project was very fun but in the end was not completed, this due to not having time to complete the process and also having other obligations like having to go to work left me unable to complete the project most of the time. From what I did learn throughout this project, I felt that it was extremely helpful and I felt that I was starting to gain a grasp on the software itself and started understanding how to use it better. Even though I didn’t complete the project itself, I would like to try and finish it, and learn how I can adapt this to my other skills to and use them to build on each other. During this first term I also received news from a collective called the Scene Stealers, congratulating and welcoming myself into the Collective, in which during this time I was able to complete some work for them based around the theme of horror. From this I picked a film called ‘Annihilation’. From this involvement, I found that it was a really good experience because it gave me a chance to do something I enjoy while also polishing and allowing my skills to grow. Furthermore this gave me a chance to reflect on my practice a bit more, and gave me an insight of the ways I like to work – this being that I find it can be difficult to produce work solely on my own motivation but it can be easier to complete projects when there is a co-dependence of some sort. From realising this I’ve decided to join another collective also to give me more purpose and responsibility. As well as giving me the chance to join a community of people that want to support each other, and possibly collaborate. Because of the way I work and having realised this, I can’t think of a better time to join a collective either. Also, because even just participating in a project by means of a collaborative process can help you find more structure but also can give you a lot of creative freedom with briefs.
Reflecting on the above, I want to not make the same mistakes that have already happened but instead build from this, to help make every project better than the last. The project that I am currently to undertake is called 2020, which has the aim to create a 5 minute moving image piece in response to an oral recording of refugee who arrived 20 years ago. This project is still in the very early stages but am looking froward to working on its entirety, and collaborating with other peers. I want to try and avoid, if I can having the feeling of being overwhelmed and would like to make use of this to take full charge of my time management and help in understanding my own abilities and limitations; furthermore as to how I can improve and be more in control. This term has been a very interesting experience and has helped shaped how I work and want to work in the future – from joining a collective to sharing my progress with other peers in communities of practice, I feel that the shaping of a new agency is very dependent on communication, as well as time management and understanding of your own practice. Agencies are always adapting and evolving, and building a new agency in this current climate is difficult, but by breaking down experiences and reflecting individuals can address problems that occur and overcome them. This year has changed the way everyone works, and it’s hard to imagine a future when the world feels like it’s falling apart, but what I’ve learnt is the world is always evolving and so is the creative industry. We shouldn’t let this experience bring us down or destroy us, but instead use it as a stepping-stone to further our practices during these unprecedented times. Instead being afraid of the unknown, use it to inspire, create and evolve. - Trevor chadwick @trehtreh_ What New Agency comes from a complete global reset? Thinking about this question brings up a lot that has happened since the beginning of COVID in March. After starting my internship in August, I feel I have a new sense of power, power in the workplace, and power within myself. When thinking of power in the workplace, for example, I think of professional performance, movements, and phrases that are the ways we communicate and engage. I ask myself is there a particular ‘corporate, creative’ way of speaking? I have understood that it's essential to learn this specific type of language to communicate in the right manner. Still, it raises many questions for me: who gets to speak when? Does this certain type of language exclude anyone or include only certain people? Do people have to moderate themselves to fit into this role? Meetings with clients are where I experience this type of behavior and language first hand. As Zoom and Teams meetings are usual during these times, I remember my first digital meeting with a client as it was right after my acceptance at Scandinavian Design Group (SDG) in Oslo as an Intern. I was thrown into an exhibition design project that SDG was doing in collaboration with HAV Eindom and Rodeo. Together, these companies would create a replica of the man-made up and coming island in Oslo called, Grønlikaia. My task was to create the informational cards placed on the island and design them compared to the rest of the exhibition. Although this seems like an easy task, this was very challenging. Not only do you need to focus on the design of these cards, but you also need to think about placement on the island, the client's wishes, how to hold them up, and be sustainable while creating. It was difficult as our client, Rodeo, did not feel comfortable coming to the exhibition space or coming to our offices. This resulted in all communication being done digitally. This posed a challenging task for us designers as a lot of our designs would be physical. Sending clients digital files is not the same as physically seeing and touching the design outcomes. I learned it could create misunderstandings and confusion, but taught us how we could communicate and show our physical designs in a better way. Sett farge på Grønlikaia, Exhibition October 2020 that I worked on Although it worked out fine and we were about to work around all the meetings only being digital, it was the first experience I had at work where COVID had a huge impact on communication. Although this was only one example I have encountered many ways in which our workplace has changed. The way everyone operates at work daily and being a junior designer in an environment during this pandemic has taught me more than I thought it would.
Coming back to the question of what New Agency comes from a complete global reset? I believe that every way each of us designers approaches a task will be different from before the pandemic. With ‘different’ I mean that we will be more understanding of each other, we will be open for people working from home, we will be there for each other, know that we can overcome anything. Thorugh the personal strength a lot of us has gained since march comes power and a power that will help each one of us to walk into the next challenge with ease. I also feel as if I am becoming an empowered new agent through all these hands on experiences. Being so fortunate to work for an agency that is doing everything they can to complete all work digitally is very impressive while still creating a social environment for all its employees. Looking back at when we applied for DPS no one would have expected any of this. Still, I find it so inspiring and cool to see how people are doing everything in their power to continue working and being creative. I am incredibly grateful for this opportunity, and I can say that if it wasn't for COVID, my experience at SDG would be completely different. Although we all wish this pandemic would pass, looking back at the last couple of months, even though they have been hard, I look back at them and think of the positives as I believe these months have made me an empowered new agent. Since the beginning of 2020 until just recently, I had always been trying my best to adapt to the “new” life style which everyone was pretty much forced to accept by reality. However, every time when I attempted to get my things together, it just seemed like a waste of efforts- to be frank, I was just lost. Before the start of DPS, I was drowned in a state of constant procrastination and unmotivated mindset, in which almost nothing was completed. The ambitions and goals that I had set for myself were all thrown into the bin for no good reason. To understand the roots of this negativity that suddenly appeared after the global reset, I decided to take a good analysis before moving into the actions for DPS. Firstly, I was suddenly forced to focus on myself all the time. I believe this had never happened to me, as in staying at home and eating meals alone almost 24/7. Therefore, my mind just went “error 404” after a long “self-care” routine and not much interaction with others through physical meet-ups due to quarantine. Secondly, It was not very natural for the brain to just accept a completely digital lifestyle, as all kinds of information fluidly passes by your sight constantly. I was intrigued in every piece of online information and let myself freely delve in the deep sea of internet for too long, so I believe these were the two main reasons why I became unmotivated for anything. However, while I was thinking that all the issues were found and I could start tackling them down, another major problem came across my mind- what do I want for this DPS year, or, in other words, what is the purpose of my life/career? The question shook me and left me in doubts, since I was and still am unsure of the real purpose of my life, but I soon was relieved by encountering an opportunity that was quite unexpected. I was invited to co-found a start-up company for creating an app that helps people to achieve goals and dreams, in other words, it acts as a tool to keep track of the journey of goal achievements. The ideology of my friends was very interesting to me, so I gladly joined the team and after almost half a year of complete isolation, I was finally able to have meaningful Microsoft Teams calls and feeling involved with a well-planned project. My motivations and spirits seem to be revived through the work communications and chats about ideologies and philosophies. I am very grateful of this opportunity which before covid-19 I would have never experienced at all. I started to understand that the journey of finding my true purpose is a gradual process and a reboot might take a lot of time and energy as well. From the help of friends and this experience, I felt that I was more prepared to undertake this DPS year (but still nervous). The thought of restarting my creative journey is both scary and exciting, as for the former I am reluctant to failures and for the latter I guess it is normal for any creatives. So to conquer this fear for failures, I decided to begin my year with a SIP and live brief instead. I believe that this project would help me to gain more confidence in the later applications to internships. Furthermore, I began reading books related to design philosophies and social issues, which I believe could help as a guide for finding my true purpose, and be more prepared when failures or rejections come. Just as one of the DPS students said in a weekly session, “rejection is a form of redirction”, and I 100% agree with this. After all, the rebooting process after this global reset has taken the longest time I had ever expected, and I would say that it is not over at all. I am still rebooting, constantly trying to conquer the past issues that were brought in since the beginning of quarantine, and battling against negative thoughts. Furthermore, I am still in search of my own purpose through this pathway I have chosen. It seems very daunting yet interesting, I guess I will just have to keep going and be brave. Sofia Wang
Instagram @sofesw Email sofia.wang0116@gmail.com or s.zhuwang0720181@arts.ac.uk Website still under construction... |
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